Washington DC–November 12, 2022
Click any picture to see it at a larger size.
These columns are on a building that used to house the Woodward & Lothrop department store. They have been restored and repainted.
This sculpture, Homeless Jesus, by Tim Schmalz, is outside the Catholic Charities building.
The Hirshhorn Museum
The outer walls of the building are under repair. The first photo shows a massive artwork by Nicolas Party, called Draw the Curtain, which has been put up during construction.
Pickett’s Charge
The outer edge of the entire second floor is occupied by this work, Pickett’s Charge, by Mark Bradford. Some of the pictures are close-ups. This is the first time I’ve seen bungee cords as part of an artwork.
More from the Hirshhorn. Some of these are from an exhibit called Put it This Way, works by women and gender-nonconforming artists.
A Window Suddenly Opens (Contemporary Photography in China)
This work, titled One and Thirty by Zhuang Hui is a series of pictues with the artist as the common feature. He’s dressed the same in all the photos.
More photos
Here is a series of bicycles, all of which are wrapped in twine.
Four Talks by Laurie Anderson
From the signage: “In 2021, as part of The Weather—her largest US exhibition to date—the Hirshhorn invited Anderson to create a new work on site. She worked ten-hour days at the Museum for more than two weeks to paint directly on the walls and floor of this large gallery, covering nearly every inch with stories, song lyrics, quotations, jokes, and commentary on current events. Painting in a stream-of-consciousness manner without preparatory sketches, she created an enveloping and intensely personal installation that takes viewers on a journey through her mind.” (See this video)
The Hirshhorn Scultpure Garden
The Renwick Gallery
My next stop was the Renwick Gallery.
Lungs (Kit Paulson); the artist transformed alveoli into flowers, and finished the work two weeks before COVID-19.
This piece is called Glazescape (Green Shade) by Lauren Mabry. From the signage: “[Mabry] constructed the frame of this sculpture from slabs of earthenware. She piped a selection of glazes into the top cavity, then relinquished all control. During the firing process, the glazes melted down, colors mingling, and eventually hardened into glasslike strands.”
This Present Moment, an installation by Alicia Eggert.